Changeling: Film Techniques and Son Essay

Changeling is a 2008 inspiring icon directed by Clint Eastwood. It is base on an American drama kn protest as the Wineville Chicken coop. Christine collins, played by Angelina Jolie, is a single m new(prenominal) in the twenties whose password mysteriously goes missing. The scud goes on a journey with collins leading her to discover the corruptness of the Los Angeles Police Department. Though the submit incorporates two-fold plots, the main narrative revolves around Christine collins and her unbreakable spirit as she attempts to solve the mystery of the kidnapping of her give-and-take. The theme of the exposure is that through a horrible tragedy, a triumphant success can come come on of it. Further much, it shows that rely and love can overcome each pain and suffering. It is because of the demands use of cinematography, editing, television tv camera movement, composition and overall mise en scne that the theme of the use up is clearly represented.The spring sequence o f the take in gives monumental information ab aside the setting and the narrative. This is accomplished with the use of establishing shots. The enter begins with a black backdrop and plays non-die delineateic medical specialty. The slow tempo melody provided by brass instruments gives the film a sense of a cryptic effect. As a result, we exhaust a vision of what genre this film could be. The music also helps trigger tension and stress from the audience. Besides the music, a tear on the black backdrop is shown, hinting to a sad, drama genre. A fade-in thusly(prenominal) takes us into a nearly black, almost white establishing shot of the metropolis of Los Angeles. The date and location of the shot are provided at the center of the try as Los Angeles. March 8, 1928.In regards to cinematography, the lack of color that is provided informs us that the fable takes place in the past when e rattlingthing was presented on televisions in black and white. This occurred during the c a ccommodate Age, which also explains the instrumental music that is playing during the opening sequence. The cinematography to boot helps illustrate frequently of the California setting and time in which the film takes place. The high careen camera begins in the sky and moves down towards the traffic, people, and other(a) objects which make up the setting. The production set includes old fashi adeptd cars, address trees, milk trucks, and the distinctive vintage look of California during the 1920s.As the opening sequence fades out, we are transported to the first ikon of the film into a dwelling house by a camera pan. Collins is suddenly awakened by her alarm and then wakes up her son Walter. The use of pass and total in this image was quite apparent. It showed the joy and love between the contract and son during this characterisation before an unfortunate kidnapping took place. As the cheer was shining brightly through the window and mother and son were smiling, we get going a feel for the close relationship they hold up for each other and their unconditional love. During this scene, the camera angles also showed the loving relationship the both of them shared. A prime example is when Walter looked up to his mother with an upward camera angle showing his admiration for his mother. While Christine looked at Walter with a downward camera angle to show her gratitude for her little male child. The exchanging of dialogue between the characters occurs next, which also gives us a sense of the strength of their connection.We then see the mother and son leave al iing a tramcar while the camera neatly closes in on their hand as they come together. A lot of framing by windows and doorways is shown in the film. One example is after the mother and son exit the trolley and stand by the school. The camera stays in the trolley and the two figures are perfectly framed by the trolley window. This is do to create a feeling of isolation or loneliness. The audien ce is indeed non let into a lot of personal moments like the one outside of the school which makes the audience wonder how the main character is feeling. The get waiver part of the scene before her son is kidnapped occurs when Collins is preparing to leave for work. This special moment is intensified by the dramatic camera movement. Collins securely stands outside the house as her son glances from the window. As she slowly travels past, the camera follows her and pulls away from the house. From that distinct moment in the film, that shot would foreshadow the separation the mother and son would soon face.The next scene is when Christine enters the house and discovers that her son is suddenly missing. The lighting in the house is very dark and gloomy, which describes how Collins is feeling at that moment. The camera then takes an omniscient position when we trip up the high angle camera show Collins searching the house for her son. The emptiness of not only her house is rep resented with this angle and also how she is feeling at that moment when she finds out that her son is missing. As she calls the police to report the disappearance of her child, the camera takes on the omniscient view once again. The camera is placed right above her ear in which the receiver is held against. This angle is done to give an impression of someone observation Collins make the call. We find out that the governing cannot do anything in spite of appearance the 24-hour window frame of his kidnapping and this foreshadows the police departments inability in helping Ms. Collins find her son.The next noteworthy scene is when Collins speaks at a conference addressing the media about the topics concerning her son. In this specialised scene the weather is wet and dreary and because of that, the lighting and colouring material looks pocket-size and cold. The use of ambient lighting in this scene reflects the trouble Collins is divergence through and the heartbreak she is fe eling trying to convince the authorities that the boy who was given to her is not her son. The coloring is a blue note of hand which symbolizes a despairing mood.Though the use of ambient lighting in the beginning of the film when Collins was with her son gave a gentle and costless effect, it progressively changed to a more unflattering effect as the flick unfolded. Editing during this scene involved a matched cut. First we see Christine and then the camera shows different views of the action around her. This editing technique was employ to provide a sense of continuity and to highlight this important issuance in her life when she lets society hold up that the Los Angeles Police Department was not doing their job properly in discovering her son.Another scene that incorporates many film elements is the scene in the police station when Collins continues to argue that the boy the authorities gave to her is not her son. During this scene the lighting was once again very murky and i t was even raining. The frame was positioned by a window and though you could not see the rain, you could see the shadows of it dripping on the wall. Throughout much of the film and this scene, rain was another symbol of the despair Collins was going through at the time. The lead acting role of Angelina Jolie in this scene involved a lot of use of body language and expression. She held her hands to her head indicating the frustration she was feeling and that she could no longer keep her emotions bundled up inside.And throughout much of the film, her emotions are not hidden and are displayed not only for entertainment, scarcely they are use to provoke sympathy in the audience. The use of close up shots in this scene was also evident to connote the fear and anxiety Collins was feeling. While the long shots were used to connote the feeling of loneliness and separation. The key light in this scene was also shown above the police to show female disempowerment. During these times, femal es did not have the same rights as men and it was clearly represented in the movie through lighting. An example would be when a police officer would walk into the room, the room would suddenly appear darker and this showed the dominance they had over Collins.The next significant scene is when Christine is admitted in the psychopathic ward by the authorities for relentlessly denying that the boy who was given back to her was not her son. The scene was very gloomy and it was one of the lowest points in her life. But when she thought of her son during a positive train of thought, the sun would suddenly appear and the room would get brighter. This lighting select symbolized her fancy and that she would never give up because she felt up her son was hush up alive. Throughout many of these important moments an editing choice of flashbacking was made to startle the audience. One particular flashback occurred to show multiple plots going on when the scene would out of nowhere travel to a bed cover where all the boys were kept and the serial killer was about to pick one to kill.This decision by the editor and the director gave the audience a boisterous simultaneous view of the struggles Collins was going through and the tragedy these candid boys were encountering. During this flashback there was also use of a canted angle in which shows an environment of a ranch where a man is walking out with a gun in his hand. This canted angle reflects the obscurity of the event as a little boy (Walter, Collins son) is seen running away from him. A hand-held camera movement is then used to follow the little boy running. This is used to make the audience feel the military position of the person chasing him, which in turn makes the boy seem even more unprotected.The experience notable scenes that use film elements in which show the steadfast quality of Collins is the scene at the prison and the very last scene when a sense of pulley-block has finally come. When Collins has a private meeting with the serial killer to interrogate him about the cleanup of her son, the room is very dark but the key light is on Jolie. It is interesting to see how the lighting changed from the meeting with the authorities to this meeting because they no longer have dominance over Collins as the light is shown over her now. The scene evolves into the abductor not telling her the truth and he is dragged out of the cell while the camera pans away from Collins prop on to the prison bars.This camera movement suggests that Christine is trapped in her own mental state of a prison and her hope for closure has still not arrived. But as the closing of the film presents itself, we receive closure when another boy tells his story of survival and lets the authorities and Collins know that without Walter, he wouldnt be alive. As the movie concludes, the same non-diegetic music that was played during the span of the movie to symbolize sorrow and pain was played, but this time it was for a different reason. It was played to symbolize hope the hope of Collins that she never gave up.The Oscar nominated 2008 film Changeling is a film about female disempowerment, corruption in political hierarchies and about children and fury during the 1920s in Los Angeles, California. It involves many elements that the make the film what it is. From its cinematography, to its acting, to its production foundation, to its editing, the film wouldnt be the same if it missed any of these filmic elements. It is because of the lighting and coloring that we get gentle and soft moments and dark and cold moments.It is because of the music that we get emotions of tensions, despair and hope. It is because of the narrative that we get the journey of the determination of Christine Collins. It is because of the production design that we get the feel of how it really was in LA in the 1920s. And it is because of all of the individual choices and decisions for this film that it was able to express th e theme or the lesson of this film, which is that hope and love can overcome all pain and suffering.